After he is threatened during a confession, a good-natured priest must battle the dark forces closing in around him.
Cast: Brendan Gleeson, Kelly Reilly
Crew: John Michael McDonagh (Director), Larry Smith (Director of Photography), Patrick Cassidy (Music Director)
Genres: Drama
Release Dates: 11 Apr 2014 (United Kingdom)
Did you know? The painting on which Michale Fitzgerald (Dylan Moran) urinates is a copy of The Ambassadors by Hans Holbein, which is on display at the National Gallery in London. It is notable for the skull at bottom centre which is rendered in anamorphic perspective. Although distorted when viewed from the front, when approached from the side it morphs into an accurate depiction of a human skull. Read More
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as Father James
Actress
as Frank Harte
as Girl
as Jack Brennan
as Bishop Garret Montgomery
as Father Leary
as Father
as Freddie Joyce
as Michael Fitzgerald
as Inspector Stanton
as Simon
as Milo Herlihy
as The Writer
as Teresa
as Prison Officer
as Mícheál
as Veronica Brennan
as Leo
as Brendan Lynch
Direction
Director
Production
Co-Producer
Production Company
Executive Producer
Line Producer
Camera and Electrical
Director of Photography
Music
Music Director
Art
Production Designer
Casting
Casting Director
Costume and Wardrobe
Costume Designer
Editorial
Editor
Film Type:
Feature
Language:
English
Colour Info:
Color
Sound Mix:
Dolby
Frame Rate:
24 fps
Aspect Ratio:
2.35:1
Stereoscopy:
No
Filming Locations:
Trivia:
Second installment of a planned "Suicide Trilogy" with John Michael McDonagh and Brendan Gleeson.
The painting on which Michale Fitzgerald (Dylan Moran) urinates is a copy of The Ambassadors by Hans Holbein, which is on display at the National Gallery in London. It is notable for the skull at bottom centre which is rendered in anamorphic perspective. Although distorted when viewed from the front, when approached from the side it morphs into an accurate depiction of a human skull.
The painting on which Michale Fitzgerald (Dylan Moran) urinates is a copy of The Ambassadors by Hans Holbein, which is on display at the National Gallery in London. It is notable for the skull at bottom centre which is rendered in anamorphic perspective. Although distorted when viewed from the front, when approached from the side it morphs into an accurate depiction of a human skull.
