A fantasy scenario of a female fan’s encounter
with her favourite hero (cf. Jeevana Chakra,
1985). A singing star (Ravichandran) claims to
be married when renting a house and now has
to produce a wife. A strange woman comes
into his life and takes charge. Although her
behaviour is eventually provided with a
motivation, the nurturing role she adopts and
the liberties she takes with him are mainly part
of the genre’s fantasy structure designed to
boost the male star’s image. The film, probably
future composer Hamsalekha’s debut as
songwriter, announces the megahit
Premaloka (1987), also a collaboration with
Ravichandran.
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