Margazhi Raagam (2008)
19 Dec 2008 ● Sanskrit ● 1 hr 58 mins
People from all over the world come to Chennai in the Tamil month of Margazhi (Dec 15 to Jan 15) to experience the music that mingles with the chill and mist in the air. Hundreds of concerts everyday for 30 days makes the Chennai music festival one of a kind in the world. Bombay Jayashri and T.M. Krishna come together in Margazhi Raagam to take this Chennai magic all over the world. Conceived and directed by Jayendra, with cinematography by PC Sreeram and audiography by H Sridhar, this 110 minutes concert has changed audience perception of live concerts, and open their eyes to a new musical experience. This concert, released in digital cinemas across the world, is sure to take Carnatic music beyond the conventional classical music audiences and reach people who love music from different cultures across the globe.
Cast: Bombay Jayashri, TM Krishna
Crew: Jayendra Panchapakesan (Director), PC Sreeram (Director of Photography)
Rating: U (India)
Release Dates: 19 Dec 2008 (India)
Sanskrit Name: மார்கழி ராகம்
Did you know? This film is considered significantly as it is considered to the first of its kind in the Carnatic music world. Read More
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Actress
Actor
Direction
Director
First Assistant Director
Associate Director
Production
Producer
Production Company
Associate Production Company
Sound
Sound Mixer
Art
Art Director
Editorial
Editor
Film Type:
Concert Movie
Language:
Sanskrit
Colour Info:
Color
Frame Rate:
24 fps
Aspect Ratio:
2.35:1, 2.39:1 (Scope)
Stereoscopy:
No
Archival Source:
QubeVault
Movie Connection(s):
Dubbed into: Margazhi Raagam (Tamil)
Trivia:
This movie was conceptualised by Jayendra Panchapakesan, a pioneer in the South Indian ad film industry. Along with him a number of leading technicians participated in the creation of this film, namely H. Sridhar - Audiography, P.C. Sreeram - Cinematography, Rajeevan - Art Direction, and Satissh Kurosowa - Editing, which has awed South Indian audiences.
For the filming of this movie, digital capture quality of the Red One camera and high-quality, uncompressed, six track surround sound were used to deliver audio clarity and audio mixing finesse that carnatic music audiences have not experienced in a live concert so far.
This film is considered significantly as it is considered to the first of its kind in the Carnatic music world.
For the filming of this movie, digital capture quality of the Red One camera and high-quality, uncompressed, six track surround sound were used to deliver audio clarity and audio mixing finesse that carnatic music audiences have not experienced in a live concert so far.
This film is considered significantly as it is considered to the first of its kind in the Carnatic music world.
