In a poignant real-life tale, Najeeb Muhammad, an Indian migrant laborer, embarked on a journey to Saudi Arabia in pursuit of economic opportunities. Yet, fate dealt him a harsh hand as he discovered himself ensnared in a grim existence reminiscent of slavery, forced to tend to goats amidst the desolate expanse of the desert.
Cast: Amala Paul, Prithviraj Sukumaran
Crew: Blessy (Director), KU Mohanan (Director of Photography), AR Rahman (Music Director)
Rating: U/A (India)
Genres: Drama
Release Dates: 28 Mar 2024 (India)
Tamil Name: ஆடுஜீவிதம்
Did you know? Prithviraj bulked up to 98 kilograms before shedding down to 67 kilograms for his role. Read More
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Actress
Actor
Supporting Actor
Supporting Actor
Supporting Actor
Supporting Actor
Supporting Actor
Supporting Actor
Supporting Actor
Supporting Actress
Direction
Director
Camera and Electrical
Director of Photography
Music
Music Director
Art
Art Director
Editorial
Editor
Film Type:
Feature
Language:
Tamil
Colour Info:
Color
Frame Rate:
24 fps
Aspect Ratio:
2.39:1 (Scope)
Stereoscopy:
No
Movie Connection(s):
Dubbed from: Aadujeevitham (Malayalam)
Trivia:
Techbank Movies London debuts India's first-ever 360 VR experience, spotlighting the making of A R Rahman's album 'Hope'. This immersive project is part of the celebrated film Aadujeevitham – The Goat Life.
The film is an adaptation of Benyamin's acclaimed Malayalam novel of the identical title.
Prithviraj Sukumaran immersed himself in the character by spending several days with the real-life Najeeb Muhammad, gaining valuable insights to authentically portray him in the film.
Prithviraj bulked up to 98 kilograms before shedding down to 67 kilograms for his role.
The film is an adaptation of Benyamin's acclaimed Malayalam novel of the identical title.
Prithviraj Sukumaran immersed himself in the character by spending several days with the real-life Najeeb Muhammad, gaining valuable insights to authentically portray him in the film.
Prithviraj bulked up to 98 kilograms before shedding down to 67 kilograms for his role.
